![]() You can read about all of Pennsylvania’s Roadside Oddities and other curious attractions if Weird Pennsylvania. After all this time, it appears that the Toynbee Tiles may remain a mystery forever. ![]() None have come up with any concrete facts yet. Dozens of websites chronicle their locations and search for answers as to the identity of their creator and the reason for their existence. Toynbee Tiles have become a cult phenomenon. Many tiles have been destroyed due to road construction, although cities generally don’t spend any money removing them, as their messages contain no vulgarity or profanity.Īfter so many years of mysterious appearances, As cars continue to pass over them, they slowly degrade the tarpaper, until it has completely peeled away, revealing the messages below. As the glue dries, they stay affixed in one position. Most of the tiles are confined in an area bounded by Kansas City, Missouri, in the west Boston, Massachusetts, in the north Washington, D.C, in the south and Philadelphia, Pennsylvania, in the east. As cars drive over the tiles, they are pressed into the asphalt. The first Toynbee tile appeared in the 1980s in Philadelphia, based on which it is believed that the anonymous artist is a resident of Philadelphia. A Toynbee tile Location: Philadelphia, PA 31st and Market Street I was really surprised to see one of these on Drexels campus. ![]() Then, they are placed in the middle of busy intersections. They are wrapped in tar paper and coated in glue. The tiles are affixed to asphalt with a rather ingenious method.
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![]() Investment, innovation and satisfaction are the main concepts of this space that aims to become the best infrastructure in the North of the country. New investments are planned in terms of swimming pools/slides, restoration and even the construction of bungalows. Since the Aquatic Park has registered high levels of tourist reference every year, we constantly need to expand and innovate to guarantee the satisfaction of our customers. It is located in a privileged place in the city of Fafe, in Travessa do Sol Poente, Monte das Freiras, where you can enjoy the most beautiful views of the city, taking advantage of the sun or the tranquility of the place to simply relax. Over the last few years, the Fafe Water Park has reached a level of sustained affirmation, both in the municipality of Fafe and in the entire northern region of the country. We also have at your disposal the various aquatic amusements for all tastes and ages, as well as rest areas. Em torno do parque, a beleza natural abunda. Além de lugar para as tendas tradicionais e para caravanas, no espaço pode escolher entre bungalows e tendas de glamping. We offer all the conditions to make your stay the best! Keep up to date with all the services we provide for your convenience. A modernidade conjuga-se com a tradição no Parque de Campismo Amarante Camping. for the bigger ones we'll also have surprises! We'll be perfecting our little ones with themed entertainers. ![]() Discover all the activities we have to offer you. Overall, we were grateful for the experience, it gave us a much needed break from the 103 F heatwave and gave my 8 year old an activity to burn off her energy.The Fafe Water Park guarantees its visitors the best possible entertainment, always with the maximum conditions of safety, hygiene and comfort, in accordance with the decree of law nº 5/97 of March, which regulates the activity of water parks in Portugal. They do have a small elevator, but it's for people who "need" it and request it. Choose wisely with where you setup because after 30 flights of stairs throughout the day I was done. We setup at the upper portion and after walking down 5 flights of stairs we found the rest of the park. There are 2 distinct portions of the park, an upper and lower. I grossly underestimated the size of the park and moreso, the terrain. O Parque Aqutico de Amarante foi criado em 1994, estando integrado num complexo turstico com mais de 44.000 m2, Tamega Clube, que alm do parque aqutico conta com conjunto de casas de turismo rural, casa de eventos e piscina de Ondas. And the lack of shade for those lines is pretty brutal, and you can't wear sunglasses on the rides. The hard part is that the lines are all scrambled, so its hard to figure out where to stand for which ride until you do it once. Depending on the ride, some fly by in a few minutes like the multi lane slides, but the single person rides took us about 30 min-1 hour. Like most amusement parks, there are long lines. I asked a mom who clearly knew what she was doing and she gave me a 2 minute run down on what to do and her sense of urgency to get myself situated asap wasn't lost on me cause it is all a first come first serve basis and umbrellas, lockers/locks and spots to lay down do run out.every nook and cranny gets filled up with people's setups. Directional signs are lacking as far as where to get umbrellas, locks, chairs, wave pool times. Bring your own small lock to use on the lockers, or rent one for 8 euros and you get 5 back on return of the lock (at upper portion of the park). Pre-purchase your tickets to make sure you get in and have a quicker line for entry into the park. ![]() This allows contextual tag browsing of the library in addition to rapid mapping of parameters to Sound/Group/Master Macros by simply touching the encoders for parameters you wish to map. In a first for Maschine hardware, the encoders are now touch-sensitive. These should last the distance even in the hands of the roughest handler. Unlike previous hardware, the encoders under the displays are chassis-mounted and feel rock-solid with no lateral play. Some may compare Ableton’s Push 2 with Maschine MkIII, however, while some aesthetics of Push 2 may have infiltrated design decisions, Maschine MkIII’s hardware feels a touch better. Everything about the MkIII control surface feels superior to its predecessors. ![]() The function buttons are less ‘in your face’ with backlighting that makes the text glow, leaving the button black. The pads are larger and have better sensitivity towards the corners playing rolls with multiple fingers on a single pad is a joy. It combines the joy of Maschine Studio’s luxurious displays, a built-in audio interface, an overhaul of its function button layout and a build quality superior to its predecessors. It’s the first significant departure from the original function button layout, so-much-so that for the first few minutes of use I had to re-train my muscle memory before my Maschine dexterity returned. Having spent lengthy periods with every Maschine incarnation to date, Maschine MkIII is completely stunning, not just in terms of cosmetics but also functionality. Notably, all Maschine hardware dating back to 2009 is still 100% supported by the latest builds of the software, a real achievement on NI’s part. Although covered in modifier buttons the Maschine software began to outgrow its software shell and having a layout consistent with the original hardware no longer made sense. Over a nine-year period, NI evolved the software back-end of Maschine, incrementally adding new features and substantial improvements. In 2016 a ‘sidecar’ iteration appeared - Maschine Jam - lacking any kind of displays, but with a user interface focused on on-the-fly step sequencing and touch strips that provide easy mixing, lock states and playing notes via strumming. ![]() Although it provided the bling experience (with a price to match), its release predated key features, later introduced in the Maschine software, creating a clear application for one-to-one function buttons. The full-colour, high-resolution displays provided a graphic-rich means of navigating the browser, a proper mixer and Mix window, and a DAW-like piano roll presentation of the step sequencer. The substantially larger chassis allowed for more relaxed button spacing and additional shortcut buttons. Maschine Studio appeared in 2013 delivering the roomier ‘Business Class’ Maschine experience. NI released Maschine MkII a few years later with a better build quality, the monochrome displays were backlit, and the buttons/pads received coloured backlighting with a more reassuring ‘click’ to the function buttons. Because its software was written to exploit the control surface, it truly excelled at getting musicians away from their computers and focusing on the music. Instead of dealing with proprietary, cantankerous disk formats, file management was no different to everyday file storage. ![]() Instead of MB of RAM for sample storage you had GB of RAM in your computer. When Maschine (MkI) hit the scene back in 2009, it was a revolution - it delivered a hardware MPC-style experience powered by any BYO computer technology of the day you partnered with it. |
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